SHARP XL-1000 (2001)

 

Pure Elegance, this is the XL-1000H compact audio system from Sharp, introduced in 2001. It features a top loading CD player (1-bit D/A converter) with motorized door, AM-FM tuner with 30 presets and a 2x10W amplifier section. The amplifier section has bass and treble controls while at the back there is provision for...

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NIKKO M-205W (1981) | DC & Class A 46W + 46W

 

The Nikko M-205W is a pure complementary parallel push-pull type Class A DC power amplifier. A high-speed constant voltage power supply is used, with an emphasis on sound quality and performance. Drift is prevented by using a single-chip dual FET. To prevent changes in high-frequency sound quality, the speaker terminals are made from machined pure copper with a gold-plated finish. The M-205W uses a muting delay circuit that eliminates pop noise. In order to prevent speaker damage, the protection network which adopted the overcurrent and center voltage detector circuitry is built in. The input circuit is equipped with two systems: direct and normal. Equipped with LED peak level indicator (with ON/OFF switch), input level control, headphone jack, and speaker ON/OFF mechanism. Specifications: 46W + 46W (8 ohm, 20 hz to 20 khz, THD0.018%) | Total harmonic distortion: 0,006% | Frequency range: DC-200kHz | Dimensions (W/H/D) 483x230x430mm | Weight 27kg

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Aurex PC-X46AD (1981) | adres deck & unit

 

The Aurex PC-X46AD cassette deck from 1981 is a high-performance vintage tape deck featuring a then newly developed dual-motor transport mechanism and Aurex’s proprietary ADRES noise reduction system. Designed to dramatically reduce cassette tape hiss while expanding dynamic range, ADRES technology delivers cleaner highs, lower distortion, and improved overall sound quality without bleeding noise. The PC-X46AD also supports playback of ADRES-encoded recordings, with a convenient CAL adjustment system and level marker memory that allows precise calibration and easy recall of optimized recording levels. Built around a 2-motor IC logic transport, the PC-X46AD separates capstan drive and reel drive motors for improved torque stability and reduced wow and flutter. For superior audio performance, the deck is equipped with a Super AP (High-B Hard Permalloy) record/playback head featuring high magnetic flux density and wide saturation capability. Its hyperbolic contact surface ensures optimal tape-to-head contact, reducing distortion and level fluctuations. A dedicated 2-gap AF (Arex-ferrite) erase head provides efficient and clean erasure. Additional features include Dolby Noise Reduction, illuminated one-touch IC logic controls, pause/mute function, auto-repeat playback mode, timer standby capability for unattended recording and alarm playback (with optional external timer), backlit peak level meters ranging from -40 dB to +10 dB, adjustable output level control, and a DC-configured recording/reamp section optimized for high-fidelity sound reproduction. An integrated MPX filter activates in FM mode to improve recording quality from FM Stereo tuner sources. The PC-X46AD is also compatible with an optional remote control, making it a versatile and user-friendly addition to any vintage hi-fi system. On top of the PC-X46AD we can also see the AD-4MKII additional adres noise reduction unit. Specifications: 2-head, 2-motor mechanism | Wow & Flutter 0,035% (WRMS) | Frequency response 20-19.000 Hz Metal tape | Signal-to-Noise (adres on) 88dB | Dimensions (W/H/D) 420x110x280mm | Weight 4,2kg | Remote control RM-15S

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Victor HR-20000 (1994)

 

Refined high-quality picture and sound. A magnificent prestige video deck that pursued the truest image and pushed the limits of Super VHS. What kind of Super VHS video deck should we have when pursuing the perfect image? Development of the HR-20000 began with a reexamination of all fundamentals. Numerous new innovations were incorporated into the head, amplifier, and digital signal processing circuitry, and the mechanism was designed to be simple and highly accurate, with improvements made to functionality and operability. The result was the HR-20000, which has solidified its reputation as the prestige model of Super VHS. SC pro head - JVC's high-performance head, which combines high output and low noise, has been further improved. The head width has been balanced to an optimal value. By eliminating crosstalk from adjacent tracks, recording characteristics have been improved, resulting in clearer image quality. Equipped with 629 Digital TBC - the key to stable images and low noise. This function corrects the time axis jitter of the scanning lines caused by tape movement and vibration. It significantly reduces the curvature and roughness of vertical lines, and also effectively corrects jitter-like hue fluctuations and high-frequency jitter, reproducing natural and stable images. Super Solid DD Mecha - Professional-grade high-precision mechanism, Super Solid DD mechanism. The two-reel direct drive and super impedance roller ensure stable tape running with virtually no tension fluctuation, reducing jitter. Furthermore, the full-loading, high-response design ensures high-speed, quiet FF and REW. 3D digital Y/C - A 3D digital Y/C separation circuit that delivers high-quality images on wide screens. The DP-1000 is equipped with a motion-adaptive Y/C separation circuit that eliminates pixel interference and cross color without affecting resolution in any direction, including diagonal directions. This enables the reproduction of fine details and the expression of a clear three-dimensional effect, delivering the high-quality images required in the widescreen era. 3D Hadamard NR - Beautiful details even when played back on a large screen. Digital Hadamard processing using frame memory significantly reduces minute noise added to the luminance signal during recording and playback. AI homme calibration - AI auto-calibration produces high-quality images that are not affected by the tape. The optimum recording level, which varies slightly depending on the tape being recorded, is detected and automatically set. This maximizes the capabilities of each individual tape, achieving high-quality recording and playback. Furthermore, the introduction of a new algorithm has sped up the calibration process to less than 10 seconds. It is also possible to correct changes in characteristics due to head aging. FET amplifier - A hyper-parallel FET preamplifier is used to achieve low noise from the ground up. The amplifier section, which has often been overlooked in the past, has been given a thorough upgrade in quality, with FET preamplifiers that amplify the same signal in parallel for each playback head. The 18 FET preamplifiers, with standard and triple amplification, significantly reduce noise below a few MHz. A thorough vibration-damping structure design eliminates vibrations that affect the image. Vibration control is enhanced by using high-density materials on the bottom and both sides of the chassis, vibration-damping steel plate for the bottom plate, and insulators with a triple suspension structure. NF Super Rewind - NF Super Rewind rewinds a 120-minute tape in just under a minute. If there is a large amount of tape to be rewound, high-speed rewinding is performed in the unloaded state. Airtight door - Airtight cassette door for quieter operation. The cassette slot is fitted with a double-action airtight door that provides a tight seal, blocking out internal noise from the tape and other components, resulting in quieter operation.

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JVC L-E22 (1983)

 

The JVC L-E22 was the smallest linear tracking turntable in the 1983 lineup. It was a compact (340x87x340 mm) fully automatic belt drive turntable featuring the MD-1045 T4P type cartridge mounted to a statically balanced linear arm. In order to play a record, you must close the top cover. All the functions can be controlled via the small pushbuttons placed on the front panel.  

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DENON Series 6.5 (2000) | Lifestyle Concept

 

The Series 6.5 represents the continuation of Denon’s highly successful lifestyle concept, redefining the upper end of the mini component category from the ground up. Combining luxury, outstanding sound quality, and compact design, the System 6.5 delivers a unique high-end audio experience in an elegant, space-saving format. Each component features its own dedicated power supply along with individual inputs and outputs, ensuring optimal performance and system flexibility. When connected together, the components provide full remote control convenience, advanced automatic operation, and synchronized system functions. Visually, the refined titanium-look front panels and gold-accented controls create a sophisticated bi-color design that blends harmoniously into any interior environment.

The PMA-6.5 integrated amplifier delivers 2 x 45 watts into 4 ohms and features discrete power amplifier stages for both channels, ensuring powerful, dynamic sound with excellent channel separation. Equipped with bass and treble controls, six audio inputs, two audio outputs, automatic source switching, an MM phono equalizer stage, headphone output, user-friendly remote control capability, and a built-in power supply, it offers versatile connectivity and audiophile performance in a compact chassis. (250x112x376 mm | 5,9kg) Matching loudspeakers: SC-10B

The TU-6.5 FM stereo/MW tuner with RDS (Radio Data System) and RadioText provides 30 station presets for FM and MW, automatic station memory, fast manual tuning, convenient timer functions, and an integrated power supply, making it a feature-rich and easy-to-use radio solution for demanding listeners. (250x98x313 mm | 2,6kg)

The DCD-6.5 CD player incorporates Denon’s LAMBDA Super Linear Converter technology and 8x oversampling digital filter for precise digital-to-analog conversion and detailed sound reproduction. Additional features include 20-track programming, random play, auto-edit function, optical digital output, and a built-in power supply, ensuring high-quality CD playback with advanced functionality. (250x112x350mm | 3,7 kg)

Completing the system, the DRR-6.5 cassette deck features a horizontal loading mechanism with drawer design, auto-reverse operation, Dolby B/C noise reduction with HX-Pro, one-touch CD-SRS synchronized recording from CD, versatile editing and playback functions, automatic tape type selection, and its own built-in power supply, delivering convenience and reliable analog recording performance. (250x98x314 mm | 3,6 kg)

The Denon Series 6.5 system stands as a premium compact hi-fi solution, combining refined aesthetics, advanced technology, and true high-fidelity sound for discerning music enthusiasts. Total suggested retail price in Germany (amplifier+tuner+cd+cassette deck+loudspeakers) 3146 DM.

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YAMAHA CA-2010 (1978) | Real Life Rated™

 

The Yamaha CA-2010 integrated amplifier was engineered as a true high-end alternative to separate preamp and power amp combinations, delivering reference-level performance within a single, meticulously constructed chassis. Designed for serious audiophiles, it features a built-in moving coil head amplifier—activated via a front-panel switch—eliminating the need for external step-up transformers while preserving the transparent highs and extended frequency response demanded by low-output MC cartridges. For moving magnet users, a 3-position phono impedance selector ensures optimal cartridge matching and maximum vinyl performance. The precision preamplifier section offers bass and treble controls calibrated in accurate 12 dB steps, with dual turnover frequencies for enhanced tonal flexibility, while completely independent Input and Output selectors allow recording one source while listening to another. The illuminated twin power meters can be switched to REC OUT millivolt readings for precise tape deck level monitoring, ensuring clean, distortion-free recordings. Rated at 120 watts RMS per channel into 8 ohms with no more than 0.03% THD from 20 Hz to 20 kHz, the CA-2010 also offers switchable DC operation for tighter bass response and front-panel selectable pure Class A mode delivering 30 watts RMS per channel with an ultra-low 0.005% THD across the same bandwidth. Yamaha’s Real Life Rated™ philosophy measured total performance from phono input to speaker output, introducing the Noise-Distortion Clearance Range (NDCR) standard, which guarantees no more than 0.1% combined noise and distortion from 20 Hz to 20 kHz at any output level between 0.1 watts and full rated power. Fast-rise, peak-delay meters track transient bursts from 1 mW to 316 W (8 ohms), underscoring the amplifier’s dynamic authority. Rooted in Yamaha’s long-standing musical instrument heritage, the CA-2010 delivers exceptional tonal accuracy, clarity, and natural musicality, making it one of the most respected and collectible vintage integrated amplifiers of its era.

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ONKYO TA-6711 (1997) | Integra High-Performance

The Onkyo TA-6711 (K-525) from 1997 was one of the last "high-performance" cassette recorders ever manufactured. It was a high-performance 3-head cassette deck engineered for those seeking true professional recording quality in a home audio component. Its precision three-motor transport incorporated a regulated dual-capstan drive with full electronic logic control, maintaining optimal tape tension and ensuring constant head-to-tape contact across the entire cassette for exceptional speed stability, reduced wow and flutter, and superior sonic accuracy. The advanced linear-glide loading mechanism, combined with a dedicated cassette stabilizer, secured the tape firmly in place while minimizing vibration and mechanical resonance. Separate record and playback heads, each optimized for its specific function, along with a dedicated erase head, allow real-time monitoring and enhanced recording precision, while high-grade PC-OCC head cabling preserves signal purity. A discrete ultra-low-impedance linear switching power supply, partnered with a high-quality shielded AEI transformer, reduces electromagnetic interference and safeguards audio integrity. Onkyo’s fully automatic Accubias system automatically calibrates recording parameters to match the selected tape formulation, with manual adjustment available for fine-tuning to personal preference. Additional features include Dolby HX Pro headroom extension, Dolby B and C noise reduction, independent level and balance controls, CD synchronized recording, automatic tape type selection, switchable MPX filter, real-time tape counter, forward and reverse music search, a large 5-segment FL display with dual 24-segment peak level meters and peak memory, front-mounted microphone inputs for left and right channels, and a resonance-resistant stamped steel chassis, making the TA-6711 a highly capable and audiophile-grade vintage cassette deck. Specifications: 3-head system, Hard Permalloy | 2+1 Motor mechanism | Wow & Flutter 0,045% WRMS | Frequency response 20-20.000 Hz Metal tape | Dimensions (W/H/D) 435x131x370mm | Weight 7,2kg

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AKAI GX-4000DB (1981)

 

The story of THE 4000 series from Akai dates back to 1975 which in turn was an upgraded version of a model introduced in the mid 60s. THE 4000 model range is probably the most recognisable basic open reel deck in history. After countless revisions and upgrades the final version GX-4000D remained in production until the mid 80s. One of this versions was the GX-4000DB shown here that included Dolby noise reduction. Technical Data: 4 track, 2 channel stereo/mono system | Reel capacity up to 18cm | Wow & Flutter 0,08% WRMS | Frequency response 30-24.000 Hz at 19cm/s | Heads 3-head GX | Motor: 1-motor belt drive | Dimensions (W/H/D) 440x315x230mm | Weight: 13,2kg

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Early 70s 4000 diagram 

DUAL CS 627 Q (1981)

 

The Dual CS 627 Q is a fully automatic, Quartz-PLL direct-drive turntable introduced in June 1981, representing Dual’s advanced engineering direction of the early 1980s. Available in elegant Satin Metallic finish, the CS 627 Q was housed in the company’s specially developed HDC (High Damping Compound) plinth, designed to minimize structural resonance and external vibration. Four integrated, height-adjustable shock-absorbing feet further enhance isolation and stability. At its core lies the electronically controlled EDS 502 direct-drive motor, governed by Quartz PLL speed stabilization for exceptional rotational accuracy. When Quartz lock is disengaged, the turntable offers a generous ±11% variable pitch control, allowing precise speed adjustment. The CS 627 Q was factory-equipped with the Ortofon TKS 55 E cartridge featuring an elliptical stylus, mounted in Dual’s newly developed U.L.M. (Ultra Low Mass) tonearm system. This ultra-light arm design minimizes....

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SABA HiFi-350 (1981)

 

The result of state-of-the-art technology: the SABA HiFi Series 350. Introduced in 1981 it promised a new benchmark in HiFi technology – inside and out. At just 35 cm wide, the four components deliver precision performance, perfectly matched to each other. Its dimensions (smaller) and qualities (better) were made possible by a new technology: The HIGH-SPEED-CONTROL B power amplifier circuit.

The technology of the individual components:

Integrated Amplifier MI 350: 2 x 50 W music power (2 x 35 W RMS). Output power readable via a five-LED chain. Input for turntables with moving magnet or moving coil cartridges. Connection options for 2 tape recorders or 2 cassette recorders (also combined) and 2 speaker groups. Tuner MT 350: Three wavebands (FM, MW, L) and quartz synthesizer tuning for pure sound and quartz-accurate station storage. Manual and electronic station search. 7 (dual-assignable) station buttons. Cassette deck CD 350: For metal, chrome, and standard tapes. Soft-touch controlled transport; a light touch is all it takes to perform the desired function. Automatic scan for easier location of specific recordings. Fluorescent indicator for monitoring the recording level. Tape counter with memory function, mute function, and Dolby noise reduction. CSP 350 turntable: Tangential tonearm, fully automatic, and direct drive. Pitch control fine adjustment and luminous strobe indicator. All functions operable with the dust cover closed. Finish: nickel silver. Dimensions: Tuner: 35 x 6.5 x 24 cm Amplifier: 35 x 6.5 x 24 cm Cassette deck: 35 x 12.5 x 24 cm Turntable: 35 x 15.5 x 35.5 cm (W x H x D). The TU-35 (white) and TU-355 (wood) racks were sold separately while the matching loudspeakers were the B-3500.

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SONY STR-7800SD (1977) | LEC Transistor

The STR-7800SD introduced by Sony in 1977 seems to be a rather rare unit that was aparently only distributed to the U.S. market. According to a Sony advert from 1977: "Even before you switch on the STR-7800SD receiver, it'll be receiving. Receiving oohs and aahs." It continues by saying: "...it is the finest receiver ever designed by Sony." The 7800 puts you on the receiving end of the most tomorrow-looking technology available in 1977. The 7800 brings power to the power-hungry, and can even make the mild-mannered lust for power. Rated at 125 watts per channel, it's powerful enough to drive any speakers-satisfy any need. The 125 watts, minimum RMS at 8 ohms, is from 20 to 20kHz-with no more than 0.07% Total Harmonic Distortion. How this combination of power and low distortion was achieved, is an example of Sony's engineering muscle. Starting with the toroidal transformer. A more efficient structure, it fully exploits the high-performance power amp. As do two over-sized capacitors, each 22,000uF. So the feeling of power throughout the frequency range is unmistakable. You'll receive tuning that'll leave you swooning. FM circuitry found usually in separates appears in the 7800. Pardon for the initials, but MOS FET's are used in the FM RF amplification. The result: good linearity, low noise and high sensitivity. For FM Dolby listeners, a complete FM Dolby noise reduction system is available, to minimize noise and overload distortion. A Multipath switch and meter indicate optimum antenna orientation, thereby reducing distortion. An LED dial pointer doubles in length when an FM signal is received for easy tuning. You'll receive a pre-amp that's pre-eminent. High marks for Sony's Low Emitter Concentration (LEC) transistor. Designed, made by, and exclusive to Sony. It guarantees low noise, and a wide dynamic range. It also keeps RIAA equalization to within ±0.5dB. You'll receive power. And the means to control it. The pre-amp section also gives you the control you need to keep all that power in line. A presence switch is a special present: it lets you equalize the mid-range. Importantly, the 7800 was built with a Professional Attenuator Main Volume Control. It eliminates gang error between channels. Some input on the inputs: Phono 1, Phono 2, External Adaptor, Auxilliary, two tape decks - and tape-to-tape dubbing facilities. Specifications: Continuous power: 2x125W (RMS, both channels, 20-20.000Hz, 0,07%) | THD: 0,07% | Dimensions (W/H/D) 490x170x515 mm | Weight 22,8kg | Original sale price 700 US-$

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