18 June 2026

TELEFUNKEN TRX-2000 (1978) | Weltspitzenklasse - Made in Germany

 

TELEFUNKEN TRX-2000 (1978) | Weltspitzenklasse - Made in Germany

The Telefunken TRX 2000 stands as one of the most ambitious and technologically advanced receivers of the 1970s, combining powerful quadraphonic amplification, precision digital tuning, and sophisticated German engineering in a single flagship component. Designed to exceed contemporary Hi-Fi standards, the TRX 2000 offered crystal oscillator-controlled digital tuning across FM, MW, LW, and SW bands, ensuring exceptional frequency accuracy and ultra-low distortion reception. Its illuminated digital display not only provided exact frequency readout but also functioned as a 24-hour clock, a highly innovative feature for its era. Delivering an impressive 2 x 60 watts RMS in stereo mode or 4 x 50 watts RMS in quadraphonic operation (4 x 90 watt Musik power), the TRX 2000 was engineered for both power and flexibility. The receiver supported SQ, Discrete, and CD-4 quadraphonic playback systems, making it a versatile centerpiece for advanced multi-channel audio installations. Seven touch-sensitive FM station presets allowed instant access to favorite broadcasts, while Telefunken's intelligent AFC system automatically disengaged during tuning and reactivated after a precisely timed delay for optimum station locking. A distinctive feature of the TRX 2000 is its quartet of fast-response LED VU meters, providing accurate real-time monitoring of amplifier output levels. Additional tuning aids included a signal strength indicator and computer-controlled AFC circuitry, helping users achieve the highest possible reception quality even with distant stations. Noise and rumble filters, presence control, and comprehensive tone adjustment options further enhanced listening enjoyment across all program sources. The receiver's remarkable connectivity reflected its professional ambitions. The TRX 2000 could accommodate up to six loudspeakers, two turntables, three tape recorders, three headphones, and a microphone simultaneously. Its innovative two-room, two-program capability even allowed different audio sources to be enjoyed independently in separate rooms. Built in a striking matte-black metal chassis, the Telefunken TRX 2000 earned widespread acclaim from the specialist hi-fi press, which praised its outstanding FM performance, powerful 4 x 50 watt amplifier section, and wealth of advanced features. Often described as Telefunken's entry into the highest echelon of high-fidelity audio, the TRX 2000 remains a highly sought-after vintage receiver, admired by collectors and enthusiasts for its unique blend of digital innovation, quadraphonic capability, and exceptional German craftsmanship. Dimensions (W/H/D) 494x163x386mm | Weight 23,5kg | Original sale price in Germany 3.100 DM

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TELEFUNKEN TRX-2000 (1978) | Weltspitzenklasse - Made in Germany

TELEFUNKEN TRX-2000 (1978) | Weltspitzenklasse - Made in Germany

TELEFUNKEN TRX-2000 (1978) | Weltspitzenklasse - Made in Germany



17 June 2026

SONY XK-700 (1984) | MegaCosmos

 

SONY XK-700 (1984) | MegaCosmos

The XK-700 computer controlled feather touch deck fully incorporates Sony's advanced technologies, including a dual battery mirror system. A battery mirror system that uses a single car battery to create two power sources. This unique Battery Mirror system overcomes the limitations of car batteries—single polarity and low voltage. By creating symmetrical positive and negative dual power supplies from a single battery, it becomes possible to design circuits equivalent to those used in home audio systems, doubling the dynamic range. It also features a dual-adjust head mechanism that makes the playback frequency characteristics identical in both forward and reverse directions. The dual-adjust head mechanism adjusts the head tilt to the optimal state for both normal and reverse playback, maintaining accurate azimuth at all times. Nearly identical frequency characteristics are achieved for tape playback in both directions. A microcontroller controls multiple functions. Operation is as light as a feather touch with your fingertips. Power Loading System: Simply insert the cassette into the slot and press the play button, and it will automatically slide in and set in the correct position. To remove it, simply reverse the process for a soft and smooth ejection. Repeat function allows you to listen to the same song over and over again with a single touch. AMS allows you to quickly jump to the beginning of the current song or the next song. Muting (-20dB) is convenient for temporarily lowering the volume. Switching the tape direction is also done softly with a single touch. Key-off eject mechanism automatically ejects the cassette when the engine key is turned off. Built-in Dolby NR Type B to reduce tape hiss noise ● 2-position tape selector for Metal tape playback compatibility ● Large peak program meter for visually checking tape levels ● Unique bass/treble tone controls. Basically the XK-700 was part of Sony's modular reference system "MegaCosmos" designed for those seeking the best possible sound in car audio. It boasts exceptional sound quality and ease of use, and is also compatible with CDs. As part of this "700 system" the XM-700 power amplifier employs large-capacity flat-type electrolytic capacitors, achieving high power of 80W + 80W, a wide dynamic range, and a low distortion rate of 0.005%. The speakers are a 3-way system using square flat-panel APM speakers born from Sony's audio technology. The CDX-R7 was the "FM/AM Compact Disc Player" that completed this Hi-Fi car audio system. Frequency response: 30-20.000 Hz | Size 178x50x150 mm | Original sale price in japan 59.800 Yen

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SONY XK-700 (1984) | MegaCosmos



16 June 2026

SONY SL-HF1000D (1986) | Super Hi-Band - Beta Hi-Fi

 

SONY SL-HF1000D (1986) | Super Hi-Band - Beta Hi-Fi

The HF1000D combines Super Hi-Band 6.0Mhz beta-Is with Beta Hi-Fi technology in order to achieve achieve a dynamic range of 90dB. This high-band Beta Hi-Fi system aims for pure visual and pure audio. When people encounter excellent visuals and excellent sound, their eyes, ears, and hearts are filled with excitement. The HF1000D is a model that returns to the fundamentals of video production — the creation of authentic AV—and thoroughly pursues the highest quality. It features "SHB 6.0 mega-highband beta-Is", which has brought a dramatic improvement in video image quality, and Beta Hi-Fi sound. Based on this high image and sound quality, it is equipped with a variety of functions, including digital picture. In addition, a unique linear skating loading mechanism has been adopted. The amount of information that can be recorded increases, image quality inevitably improves. Building on the success achieved with the 5.6 MHz Highband, the HF1000D further upgrades the highband concept. It features SHB6.0 MHz Highband Is, which shifts the video signal carrier up by 400 kHz in Is mode. This significantly improves image quality in Is mode, which already had ample recording bandwidth. It can now faithfully reproduce the fine details of the original image, such as the subtle shading of face tones (skin tones) and the movement of wind patterns etched in the sand. Furthermore, the adoption of a newly developed dynamic color circuit improves color reproduction, reducing color noise that is often noticeable in dark areas. Achieving a dynamic range of 90dB and a flat frequency response, Beta Hi-Fi brought the reference quality to video sound. Therefore, with the HF1000D, Sony thoroughly refined every detail, building upon the excellent fundamental technologies of Beta Hi-Fi, such as the 4-carrier system and zero-sampling method. The circuit section employs a symmetrically configured, highly integrated IC for Hi-Fi audio, significantly improving characteristic changes caused by subtle circuit differences. Furthermore, Sony incorporated carefully selected parts, including high-performance HAL filters and Ceramic capacitors with excellent vibration resistance and responsiveness. In addition, it was adopted a gold-plated input/output terminal and LC-OFC circuit wiring, resulting in an overall audio-spec design that achieves a dynamic range of 90dB. Moreover, it boasts an extremely flat frequency response from 20Hz to 20kHz, achieving acoustic characteristics that can be considered a reference for video sound.

Digital picture function allows you to enjoy special playback with clear images. Five different digital still image patterns have been implemented. These functions can be freely enjoyed using the HF1000D unit and the wireless remote control. The HF1000D employs a linear skating mechanism that enhances the audio experience. The HF1000D uses the same linear skating mechanism found in CD and video disc players. Pressing the eject button causes the cassette tray to automatically pop up, making tape loading and removal smoother. Other features include: Wireless remote control with digital picture function. ● 3-week 6-program timer. ● Quick timer for easy recording. ● Index search for quick access to desired programs and index scan for convenient tape content confirmation. ● Synchro edit function for easy operation and high-quality video editing. High-speed access/picture search. ● Linear time counter with clear display of hours, minutes, and seconds. ● Independent manual recording volume for L and R channels. ● S input/output terminals for editing control. Convenient auto functions such as tape return and autoplay. Wireless remote control RMT-153 included. Insulator FW-1000 sold separately for ¥7,000 (set of 5). Side wood TAC-1000 (sold separately) ¥3,000 (set of 2) Dimensions: Width 430 x Height 95 x Depth 420 mm Weight: 12.7 kg (excluding side wood and insulators) Original sale price in Japan: ¥188,000

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SONY SL-HF1000D (1986) | Super Hi-Band - Beta Hi-Fi

SONY SL-HF1000D (1986) | Super Hi-Band - Beta Hi-Fi

SONY SL-HF1000D (1986) | Super Hi-Band - Beta Hi-Fi